
After
20 years as KRON's sports anchor, Gary Radnich still
does it his way. Most of the time it's a slam dunk.
by Peter Hartlaub, SF
Chronicle Pop Culture Critic
March 17, 2005
The sportscaster is moving down the third-floor hallway
of KRON TV's headquarters at a leisurely pace somewhere
between a stroll and a flat-out lollygag.
An
urgent-sounding voice comes across the intercom, calling
the sportscaster by name with the news that his segment
goes live in two minutes. The KRON news set is one
floor below, and there's about 100 feet of carpet
left to cross -- plus a ride on an elevator that quite
frankly doesn't look that reliable.
Gary
Radnich is talking about Dean Martin.
"You
ever watch those infomercials in the middle of the
night? Dean Martin. He would come in, everyone else
would rehearse for his show, except him. He quit wearing
a tie. Everyone else rehearsed for the show and he
came and did the show for the first time," Radnich
says, leaving it to the listener to compare the Rat
Packer's approach to his own sportscast.
"As
I've said, sometimes it bombs, but then again ...
"
The
thought is still hanging in the air as Radnich walks
onto the set, where anchors Wendy Tokuda and Tom Sinkovitz
have been delivering the first 24 minutes of the 6
p.m. news.
He
has just enough time to clip on his microphone before
launching into a five minute ad-lib that starts with
the upcoming NCAA basketball tournament and ends with
betting tips for Tokuda. The anchors are laughing
at the end, even after the station goes to commercial.
Radnich,
55, who marks his 20th year with KRON this week and
has spent 13 years at radio station KNBR, didn't last
this long by playing it safe. Anchorwoman Pam Moore,
who looks forward to Radnich's segments, says no one
is surprised when he arrives at the last moment.
"I've
been here since 1991, and he's always done that,"
Moore says. "I don't know if it's the way his
adrenaline kicks in or the way his energy works, but
that's not for style or for show. That's just the
way he is."
A
former college basketball player at the University
of Nevada at Las Vegas, Radnich came to KRON in 1985,
when ex-football linebacker Wayne Walker was the biggest
name in sports television. KNBR senior vice president
Tony Salvadore gives Radnich a lot of credit for immediately
trying to be himself, breaking the ex-jock-on-the-air
stereotype and infusing his sports shows with a casual
pop-culture spin long before that approach became
the norm.
"Gary
just brought a whole different take to it," Salvadore
says. "We couldn't really put a finger on it,
but we knew he was doing something really unique and
different."
After
a few guest stints on Ralph Barbieri's show, Radnich
joined KNBR full-time in 1992, and with Walker's departure,
took over as the alpha male of the Bay Area broadcasting
market.
Throughout
Radnich's tenure, his disdain for careful planning
has remained, and even his career moves seem to be
made with an almost self- destructive spontaneity.
Radnich spent 34 months from early 1999 to late 2001
combining early morning work on KNBR with the nightly
news on KRON -- making his life a series of short
naps until he moved to his current 9:30 a.m. radio
shift. When KRON lost its NBC affiliation on Jan.
1, 2002, and other big names had left or were trying
to flee the station, Radnich groused a little, then
signed a seven-year contract that will keep him at
KRON until his 25th anniversary.
That's
about five years longer than many critics expected
the independent station to last. But the move so far
has been a shrewd one for the sportscaster. He recently
was given a second segment on the 9 p.m. news program,
which sometimes gets higher ratings than the nightly
newscasts on the local ABC, NBC and CBS affiliates.
And Radnich routinely gets five minutes or more, when
bigger stations are trimming their allocation of sports
to two minutes or less.
"People
say, 'Jeez, KRON lost NBC' or this and that. I'm a
firm believer that there are trade-offs in everything,"
Radnich says. "And the trade-off here is I'm
still able to do my stuff and still able to have fun
when I come in. ... Would I rather have the NBC affiliate?
Yes. Would I want to trade contracts with anyone in
the market? No."
Radnich
arrives at the station on Van Ness a little after
6 p.m., with the newscast already in progress. He's
talking even before he enters the windowless KRON
sports office on the third floor.
Radnich's
wife, Alicia, and their two young girls are here today,
and the resulting commotion gives him even less time
to peruse the notes handed to him by his longtime
producer, Jason Applebaum. Which isn't much of a problem,
because there are fewer words on the page than would
be on a grocery shopping list for a small dinner party.
Applebaum
said he found out how differently Radnich operates
after briefly working for a more traditional sportscaster
in Los Angeles, who demanded every word be typed out
for the teleprompter.
"When
we would go to the tape, if there were highlights,
we would write 'Kobe to Shaq for the dunk. Kobe finished
with 25 points.' And he would read that," Applebaum
says.
While
viewers may notice there's something about Radnich
that's different from other sportscasters, but can't
quite place it, it becomes completely obvious behind
the scenes.
He
moves steadily through the hallways like a shark,
as if his life depended on constant movement. When
two young co-workers at an editing bay "ooh"
and "ahh" over a Syracuse basketball player
whose sensational dunk turns into an even better crash
landing, Radnich turns away from the monitor. He prefers
to see the video for the first time on the air, just
like everyone at home. Radnich avoids meetings, rarely
talks to the higher-ups at KRON and says that when
he sees the anchors on the set, "that's the first
time I've talked to them about anything."
When
it's time for sports, the teleprompter stops moving.
Radnich's only cues are a few hastily typed notes
("Sr. Mary's Wll Be Sweatiung Untill Siunday")
that cue the director to roll video tape.
For
at least 18 minutes each night, Radnich operates without
a net, saying whatever comes to his head, with few
boundaries beyond those set by the Federal Communications
Commission. He routinely brings behind-the-scenes
staff on the program and chides sports anchors at
other stations, which shouldn't bother them too much
considering he pokes fun at his own colleagues, too.
Today the victim is "Bay Area Backroads"
host Doug McConnell, whose show is on next.
"I
love 'Backroads,' " Radnich says, before commenting
on McConnell's snugly fitted denim pants. "The
tighter the jeans, the more I lean forward."
In
local television, station employees will talk in hushed
voices and off the record about anchors who show up
a few minutes before their on-air shift and leave
a few minutes after. Only Radnich would think to use
his schedule as yet another conversation piece, at
times encouraging the legend.
"We
accuse him of going around the block in the car until
it's time to come in," Salvadore says. "He
just doesn't want to hang out in anybody's office."
During
one of his more serious moments, Radnich defends his
work ethic. After the running start he gets during
his KNBR show that ends at noon, he usually goes home
and reads five newspapers. He says he used to do things
the regular way, but knew he would burn out quickly
fretting over a script.
"Years
ago I'd type everything out," Radnich says. "And
then before you know it, it sounds like you're reading
it."
Instead,
he leaves the KRON building between newscasts, spending
time with Alicia and his girls (Radnich also has three
grown children from a previous marriage), while using
his driving time to map out much of what he's going
to say on the air. And he lingers each night after
the 11 p.m. news, when most of the staff has left
the building, sitting alone in an editing bay and
critiquing his own performance that day.
Radnich
knows everyone in the building by first name and has
nice things to say about his colleagues, but doesn't
mince words when it comes to his attendance record.
"I'm
not beat up by sitting around in an office, having
guys telling me my hairline's going. How does my voice
sound? I don't have any of that," Radnich says.
"All that office chatter. People complaining.
I pretty much cut that out. If I can help you, let
me know."
And
as long as the building doesn't fall down around him,
Radnich doesn't plan on making changes. Sometimes
it bombs, but then again ...
"Right
now, walking in and walking out, having everyone smile
and happy to see you is more important than sitting
in a meeting," Radnich says. "Right now,
this is where it's at."
E-mail
Peter Hartlaub at phartlaub@sfchronicle.com